#Blue note studio movie#
#Blue note studio archive#

Alfred fell in love with Monk’s eccentric piano style, even though he was decades ahead of where he could become a popular or profitable artist. The name Blue Note Records calls to mind a once-regnant sound in jazz: the hard-bop of the 1950s and ’60s, with its springy four-beat swing rhythm, its spare-but-lush horn. My name is Anna Garlem and I have been teaching piano lessons to children and adults for over 20. In the late 1950s, he established his recording studio in Englewood.

#Blue note studio movie#

The film follows their story from 1939, when they began with a roster of Dixieland bands and signed every new sound they heard – from swing to be-bop. Blue Note Piano Studio, Stafford, Virginia. Blue Note Records New York Jazz-Label Documentation Movie Eric Friedler and Wim. Jazz might have turned out very differently but for the two childhood friends who turned their shared love of jazz into a not-for-profit pursuit, out of studio facilities in a bungalow in New Jersey (later they had a studio/house in New Jersey designed by a student of Frank Lloyd Wright). The album covers themselves, by graphic designer Reid Miles – often using artfully cropped photos by Wolff – were the epitome of cool, a “look” that was recognizably Blue Note. Using the original analog tapes (recorded at the iconic Rudy Van Gelder studio) new transfers were made at the highest possible bit rate, with. My name is Anna Garlem and I have been teaching piano lessons to children and adults for over 20 years.

#Blue note studio archive#

Film and video footage of the great jazz artist is of relatively recent vintage, but Blue Note Records kept a wealth of studio “takes,” banter, and live performances, all augmented by stills and album covers. Mosaic Records, the leading and most influential historical archive jazz label, has just released a new box set combining the 1963-1966, Blue Note label, studio output of tenor saxist, Joe Henderson. Blue Note Piano Studio, Stafford, Virginia. Still, as standard a documentary as it is in presentation, Blue Note Records: Beyond the Notes is cleverly assembled and edited, making the most of available archival material to flesh out the stories of Thelonious Monk, John Coltrane, Miles Davis, Bud Powell, Art Blakey, Horace Silver et al, and of Alfred Lion and Francis Wolff, the two German-Jewish immigrants who escaped the war and redefined America’s music culture.īut where the ingenuity is most effective is in the use of audio.